Becoming-other in time : the Deleuzian subject in cinema
Through an engagement with Gilles Deleuze's philosophy of the cinema, this thesis explores how the notion of labyrinthine time is represented differently in movement- and time-images. Part I contrasts the different types of subject that are created in the narratives of the two types of image. T...
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University of Glasgow
2002
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| Online Access: | http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.395078 |