The choral conductor and acoustics: implications of research for choral/orchestral seating arrangements, especially as adapted to a performance of A.L. Weber's Requiem at Trinity Presbyterian Church in Tucson, Arizona
Most choral conductors, at some point in their career, will be faced with the prospect of performing a composition that utilizes both voices and instruments. There is a considerable amount of material to turn to for assistance in the areas of gesture, instrumental conducting terminology, and sugges...
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| Language: | en_US |
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The University of Arizona.
1989
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| Online Access: | http://hdl.handle.net/10150/624852 http://arizona.openrepository.com/arizona/handle/10150/624852 |