Darius Milhuad's "Cantate pour l'inauguration du Musee de l'Homme," op. 164: An Examination of Performance Practices and Contemporary Solutions
The purpose of this study is to demonstrate that Cantate pour l'inauguration du Musee de l'Homme, op. 164, Darius Milhaud's musical setting of a poem by Robert Desnos, can be made accessible to choral ensembles by employing a choir in addition to the vocal quartet traditionally used i...
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| Language: | en |
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The University of Arizona.
2010
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| Online Access: | http://hdl.handle.net/10150/195792 |