Gone Critical: Towards A Co-Creative Encounter with the Book
This dissertation follows two interrelated lines of inquiry. The first, I formulate as follows: (1) How, historically speaking, has the discourse of literary criticism thought the book? How has it represented the book? Used the book? Put simply, what has the book become in the hands of the critic? T...
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| Language: | en |
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2010
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| Online Access: | http://hdl.handle.net/10012/5050 |