Confessing Subjectivity: Power and Performative Agency in Early Modern Drama
This dissertation traces confessional speech as a performative mode of social subject formation in English dramatic texts and non-fiction accounts from the early modern period. I explore the confessional speeches that pervade these works to illuminate a self-reflexive sense of the inherent intersubj...
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| Language: | en |
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VANDERBILT
2012
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| Online Access: | http://etd.library.vanderbilt.edu/available/etd-11302012-151125/ |