The musical farça “A Saloia Namorada” (1793) by António Leal Moreira and Domingos Caldas Barbosa in the context of late eighteeth-century opera in Portugal
This dissertation aims to analyze the musico-stylistic characteristics, tendencies and trends of the farça A Saloia Namorada (1793) in the complex landscape of musical theater in the late eighteenth-century Portuguese traditions. Recent scholarship has renewed attention on eigtheenth-century Portugu...
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| Format: | Others |
| Language: | English |
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2012
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| Online Access: | http://hdl.handle.net/2152/ETD-UT-2012-05-5260 |