The musical farça “A Saloia Namorada” (1793) by António Leal Moreira and Domingos Caldas Barbosa in the context of late eighteeth-century opera in Portugal

The musical farça “A Saloia Namorada” (1793) by António Leal Moreira and Domingos Caldas Barbosa in the context of late eighteeth-century opera in Portugal

This dissertation aims to analyze the musico-stylistic characteristics, tendencies and trends of the farça A Saloia Namorada (1793) in the complex landscape of musical theater in the late eighteenth-century Portuguese traditions. Recent scholarship has renewed attention on eigtheenth-century Portugu...

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Bibliographic Details
Main Author: Bernardes, Ricardo
Format: Others
Language:English
Published: 2012
Subjects:
Leal Moreira
Portugal
Portuguese music
Opera
Entremez
Farsa
Serenata
Brazil
Lisbon
Online Access:http://hdl.handle.net/2152/ETD-UT-2012-05-5260

Internet

http://hdl.handle.net/2152/ETD-UT-2012-05-5260

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