The Humanitarian Gaze and the Spectatorial Nature of Sympathy
Ansel Adams, one of the world’s great photographers, once said, “There are always two people in every picture: the photographer and the viewer.” This thesis will explore the relationship of the photographer, the viewer, and the photographed subject in the context of humanitarian photography, which h...
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Format: | Others |
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Scholar Commons
2019
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Online Access: | https://scholarcommons.usf.edu/etd/7732 https://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=8929&context=etd |