"You want it all to happen now!": The Jinx, The Imposter, and Re-enacting the Digital Thriller in True Crime Documentaries
In this thesis, I outline the changing shape of the reenactment in the contemporary true crime documentary to illustrate a burgeoning crisis of epistemology and anxieties about the authority of evidence in the Digital Age. I examine two works—The Jinx and The Imposter—that deal with evidence in form...
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Format: | Others |
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Scholar Commons
2017
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Online Access: | http://scholarcommons.usf.edu/etd/6743 http://scholarcommons.usf.edu/cgi/viewcontent.cgi?article=7940&context=etd |