Telling tales, hearing stories, imagining difference : the role of imagination and the dramatic arts in educating students as agents of social change

• Main Author: Marken, Kari Anna
• Other Authors: Pushor, Debbie
• Format: Others
• Language: en
• Published: University of Saskatchewan 2007
• Subjects: International Schools Theatre Association; Canadian High School Drama pedagogy; Kathleen Gallagher; Sherene Razack; Shirley Grundy; Feminist Critical Pedagogy; Boal; process drama; anti-bullying; transformative education; experiential learning
• Online Access: http://library.usask.ca/theses/available/etd-04192007-150544/

How do conventional performance-based models of drama in high schools serve to oppress students? How can Applied Drama models serve to emancipate students? This thesis invites educators to imagine drama programs in high schools as being capable of employing the use of imaginative dramatic arts processes for their emancipatory potential aimed to break oppressive habits and to rehearse alternative dialogue and action in the lives of students. Drama processes in high schools could be designed within an emancipatory paradigm of curriculum-making. Instead of designing drama programs around the goal of producing scripted theatre performances, drama programs in high schools can be designed with the goal of engaging students imaginations. Specifically, Applied Drama processes have the potential to nurture students social and moral imaginations which, in turn, allow students to become more empathetic. Moreover, through dramatic role-play, students enter an imaginary world and rehearse alternative ways of acting in the world. If the dramatic role-play addresses issues of oppression in the world, then the imaginary world presents scenarios in which students can rehearse emancipatory ways of acting and thinking about their lived reality. Specifically, Applied Drama processes are best suited for emancipatory, imaginative drama programs in high schools. In this thesis, I also discuss the importance of reflection in emancipatory drama processes.