Hatten, dockan, capen, byrån : ting och tinglighet hos Djuna Barnes
The inhuman element in Djuna Barnes’s works has been widely acknowledged. So far the research has, however, concerned itself primarily with animality, thus neglecting the importance of things and thingliness in her texts. In this essay I outline a new way of approaching Barnes were things are taken...
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| Format: | Others |
| Language: | Swedish |
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Stockholms universitet, Avdelningen för litteraturvetenskap
2013
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-96807 |