Fictional and Metafictional Strategies in Ian McEwan’s Novel Atonement (2001) and its Screen Adaptation (2007)
The concept of distorting the line between fiction and reality appears to be one of the main themes in Ian McEwan’s Atonement (2001) as well as in Joe Wright’s screen adaptation of the novel, released in 2007. With the focus on the main character Briony Tallis this essay explores the influence that...
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| Format: | Others |
| Language: | English |
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Stockholms universitet, Engelska institutionen
2009
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-36996 |