Big Dyke Energy? : Commodification and Queer Female Meaning-Making in the Reception of Ocean’s 8 (Gary Ross, 2018)
In a media landscape that continues to be characterized by heteronormativity, queer female audiences are continuously finding ways to make popular texts their own. Previous scholarship on queer female reception has largely approached queer meaning-making as a text-audience relationship, a perspectiv...
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| Format: | Others |
| Language: | English |
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Stockholms universitet, Filmvetenskap
2020
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-184694 |