Varför känner vi inte till Tarsila do Amaral? : En studie av polariseringen mellan ”vi” och ”dom” i konsthistorien med utgångspunkt i antropofagin i 1920-talets Brasilien
The abscence of the brazilian artist Tarsila do Amaral (1886–1973) in the general art history is investigated, using the colonial structure as a starting point. In South America she is regarded as one of the greatest artists in modern time, in the rest of the world she is more or less unknown. The c...
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| Format: | Others |
| Language: | Swedish |
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Södertörns högskola, Institutionen för kultur och kommunikation
2006
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-760 |