Blood, Sperm, and Tears in Extreme Cinema : A phenomenological study in hegemonic masculinity through Gaspar Noé's Love from a psychoanalytical perspective
This thesis will analyze how masculinity is depicted in the French-Argentinean director Gaspar Noé’s movie Love (2015), and how it is orientating and disorientating through an intersectional lens. In his films, the filmmaker often uses haptic images and sound traversing to interrogate the existence...
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| Format: | Others |
| Language: | English |
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Linköpings universitet, Tema Genus
2020
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| Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-166936 |