Children of the socialist paradise: Redefining social and esthetic values in post Cold -War Cuban cinema
After the collapse of the Soviet Union, Cuban filmmakers had to rethink the socialist values and esthetics developed in Cuba after the revolution of 1959. A number of these precepts, encapsulated in Julio García Espinosa's 1965 manifesto "For an Imperfect Cinema," had been influential...
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| Language: | ENG |
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ScholarWorks@UMass Amherst
2007
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| Online Access: | https://scholarworks.umass.edu/dissertations/AAI3289238 |