On developing a radical imagination: Theatre and political resistance in the society of the spectacle
In this dissertation I explore and attempt to answer the question of how political resistance is possible in what Guy Debord calls the society of the spectacle. My thesis is that political resistance requires training to undo-habits of oppression, and that actor training suggests at least one kind o...
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| Language: | ENG |
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ScholarWorks@UMass Amherst
1996
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| Online Access: | https://scholarworks.umass.edu/dissertations/AAI9638986 |