Border crossings and multicultural whiteness: Nationalism in the global production and United States reception of vampire films
Border Crossings and Multicultural Whiteness analyzes the interplay of cinema and nation in audience responses to vampire films. Since audiences accept nationality, race, and ethnicity as “natural” terms for social differentiation, I examine them in tandem with an exaggerated term for social differe...
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| Language: | ENG |
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ScholarWorks@UMass Amherst
2004
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| Online Access: | https://scholarworks.umass.edu/dissertations/AAI3136738 |