The quiet revolution: Integration, difference, and the new French women directors: 1990–2000
Contemporary women's cinema in France has developed within a specific context. The persistence of auteur theory, combined with the absence of Anglo-American film theory, has led to a lack of critical engagement with feminism and feminist film theory by directors and critics alike. Yet, over the...
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| Language: | ENG |
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ScholarWorks@UMass Amherst
2003
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| Online Access: | https://scholarworks.umass.edu/dissertations/AAI3110538 |