Scenographic encounters : using cognitive theories to explore audience embodiment of performance spaces
Neuroscience, philosophies of embodied cognition, architecture theory, performance theories of perceptual oscillation, and other relevant theories are used to analyze how artists create affective scenographic environments, and how attendants (spectators) embody these environments. Attendant percepti...
| Main Author: | |
|---|---|
| Language: | English |
| Published: |
University of British Columbia
2017
|
| Online Access: | http://hdl.handle.net/2429/62923 |