Zombification versus reification at the end of the world : exploring the limits of the human via the posthuman zombie in contemporary horror film
The zombie figure is ubiquitous in contemporary horror film—particularly in the United States—and has prompted me to explore why zombie films have regained popularity post-9/11, why the zombie has become a figure in flux, evolving from slow to fast, from un-dead to living, and from decaying to mutat...
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| Language: | English |
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University of British Columbia
2015
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| Online Access: | http://hdl.handle.net/2429/54832 |