Visceral exposure : Melanie Gilligan, Hito Steyerl, and the biopolitics of visibility
This study considers a small group of recent video works by artists Melanie Gilligan and Hito Steyerl through the Foucauldian lens of biopolitics. I argue that these works implicitly reveal how biopower viscerally exposes and abstracts the neoliberal subject, constructing it in precarious tension as...
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| Language: | English |
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University of British Columbia
2015
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| Online Access: | http://hdl.handle.net/2429/52473 |