In memoriam : monuments, memorials, and the revolutionary dead in the work of Jean Genet
This thesis investigates the memorial and monumental aspects of Jean Genet’s final memoir, Un captif amoureux. My introduction discusses biographical reading as a predominant trend in the critical literature and argues that this way of reading Genet empties out the political force of a deeply commit...
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| Language: | English |
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University of British Columbia
2014
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| Online Access: | http://hdl.handle.net/2429/51268 |