Revisiting Dionysus : Nietzsche, Heidegger, Foucault
This thesis challenges the traditional, Cartesian understanding of musical performance through a phenomenological investigation of aural experience. Whereas conventional approaches to musical performance prescribe separating 'work' from 'event' in order to ascertain musical me...
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| Format: | Others |
| Language: | English |
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2009
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| Online Access: | http://hdl.handle.net/2429/12025 |