A Reflection and Discussion on One Decade’s (2007-2016) Culinary Cinema in Berlin International Film Festival

碩士 === 國立高雄餐旅大學 === 飲食文化暨餐飲創新研究所 === 105 === The study of food films and documentaries has, since the 1980s, begun to be noticed in the scholarship. According to some literature review, the scholarship on food films focused largely on analysis of food representations in individual films. This aspe...

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Bibliographic Details
Main Authors: Chen,Tsuiping, 陳翠萍
Other Authors: Su, Heng-an
Format: Others
Language:zh-TW
Published: 2017
Online Access:http://ndltd.ncl.edu.tw/handle/88435226986971666546
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Summary:碩士 === 國立高雄餐旅大學 === 飲食文化暨餐飲創新研究所 === 105 === The study of food films and documentaries has, since the 1980s, begun to be noticed in the scholarship. According to some literature review, the scholarship on food films focused largely on analysis of food representations in individual films. This aspect of research usually explored the symbolic role or metaphoric role of food and food behaviors play in cinematic narratives and images. The results of the research indeed affirmed that “films’ narratives and images are a legitimate means of observing the changing structures of social interdependence and shifts in cultural identity” (Ferry, 2003, p. 2). However, the success of this aspect of research suggests that there is even more that could be done in this burgeoning area. The study intends to review a decade’s food films selected and demonstrated in Berlin International Film Festival from 2007 to 2016. In the literature review section, 171 food films including new and old food documentaries and short and feature food films from all over the world have been briefly introduced. Also the previous overarching frameworks used to analyze the food films have been reviewed. In order to find out the main themes demonstrated the real roles of food play in people’s life, the researcher have watched the 171 films and studied related reviews, journal articles, and book chapters on these documentaries and films. The researcher also conducted a systematic research synthesis on them. Using Glaser and Strauss’ Grounded Theory (1967) constant comparison method, the researcher did comparative reviews on these documentaries and films. Four main themes emerged from the synthesis are: (1) It is the time to disclose the desire and awakening of human beings for nature and healthy food and for fair and just food; (2) The eternity of human beings is built on the sustainable ecology and biological diversity; (3) The persistence, creativity and ideals of the cooks are the driving force for human food culture transmission and inheritance;(4) Food is the origin of emotional communication between human life and all things. It is anticipated the research results can provide Taiwanese scholars and educators of food culture with a general overview of the current global food culture issues, so that they would study and teach food culture in a broader perspective. It is also expected that the analysis on the 171 selected food films can inspire more Taiwanese film makers and producers to shoot profound and far-reaching dietary documentaries or dramas to spread the long history and plenty of Chinese food culture. By doing so, it is hoped that Taiwanese can sincerely look at the current global concern of the various food issues and its connection to Taiwan society.