An exploration for the implications of French “Era, Female, Beauty” paintings in the 19th century

碩士 === 中國文化大學 === 美術學系 === 102 === In 1863, French painting circle disclosed the wave of subversion by establishing Salon des Refuses to oppose Salon de Paris on the basis of innovation and reformation, fermenting Independent exhibitions organized by a group of young painters under the name of “So...

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Bibliographic Details
Main Authors: Charng, Fu-Shiew, 常扶秀
Other Authors: Sheu, Kuen-Cherng
Format: Others
Language:zh-TW
Published: 2013
Online Access:http://ndltd.ncl.edu.tw/handle/63578119961895462662