Positive and Negative “Vessel” Spaces: A Discourse on the Sculptures of Chiu Fang-Hsin
碩士 === 南華大學 === 視覺與媒體藝術學系 === 102 === Artworks of the modern period, regardless of their content, form, or purpose, were created to address self-cognition and modernism, elevating art from imitating and representing natural objects to restructuring alternative ideas. A novel design model was intro...
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| Format: | Others |
| Language: | zh-TW |
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2014
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| Online Access: | http://ndltd.ncl.edu.tw/handle/20681427273621882509 |