The Representation of Simulation:A Postmodern Turn of Chinese Horror Film, 1980-2004
碩士 === 南華大學 === 社會學研究所 === 93 === All cultural spheres are infiltrated by postmodernism, in which the metamorphosis of textual genre has proliferated. Since Chinese-speaking horror film has provoked a fashionable current starting with “Encounter of the Spooky Kind” 1980, a semiotic turn emerged fr...
| Main Authors: | , |
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| Other Authors: | |
| Format: | Others |
| Language: | zh-TW |
| Published: |
2005
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| Online Access: | http://ndltd.ncl.edu.tw/handle/00202141712764386184 |