Luigi Dallapiccola's "Il Prigioniero": A musico-dramatic analysis of Scene IV (Italy)
The purpose of this study is to illustrate several aspects of Dallapiccola's coherent expressionism in Il Prigioniero by focusing upon his approach to symmetrical formal structure in the drama; structural relationships in the twelve-tone sets themselves and in their usage in Scene IV; and speci...
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| Format: | Others |
| Language: | English |
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2007
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| Online Access: | http://hdl.handle.net/1911/13366 |