Crossing the pond: jazz, race, and gender in interwar Paris.
Between 1920 and 1939 the nightclubs of Montmartre became a venue where different nationalities came into contact, danced, talked, and took advantage of the freedom to cross the color line that Paris and the "color-blind" French audience seemed to offer. The fascination for black performer...
| Published: |
|
|---|---|
| Online Access: | http://hdl.handle.net/2047/d20000237 |