An Analysis of Printemps d'amour (op. 40) and L'Union (op. 48): Two Programmatic Piano Solos by Louis Moreau Gottschalk
Close analyses of two works by Gottschalk demonstrate, not just his consummate skill in evoking and sustaining extra-musical imagery, but also his firm control of harmony, motivic development, and form. In Printemps d'amour (1855), a mazurka inspired by Gottschalk's love for Ada McElhenney...
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Format: | Others |
Language: | en |
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LSU
2014
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Online Access: | http://etd.lsu.edu/docs/available/etd-01192014-020829/ |