The female corpse: sacrificed bodies of Enlightenment tragedy and Nazi cinema
This thesis approaches the topic of feminine representation through comparative readings of two eighteenth-century Enlightenment tragedies, G. E. Lessing's Emilia Galotti (1772) and Charlotte von Stein's Dido (1794), as well as two twentieth-century Nazi films, Leni Riefenstahl's The...
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Format: | Others |
Language: | en |
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McGill University
2008
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Online Access: | http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22047 |