Beginnings, middles and ends: perception of intrinsic formal functionality in the piano sonatas of W.A. Mozart
This dissertation investigated the perception of intrinsic formal functionality—the out-of-context projection of beginning, middle, and end functions—in the piano sonatas of W. A. Mozart (1756–1791). We explored three core issues: (1) listeners' capacity to identify the formal function of out-o...
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Others |
| Language: | en |
| Published: |
McGill University
2012
|
| Subjects: | |
| Online Access: | http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=106293 |