Disability Drama: Semiotic Bodies and Diegetic Subjectivities in post-WWI German Expressionist Drama
In this dissertation, I examine discourses on disability and the body in three German Expressionist dramas written directly after WWI both for the discursive work they do in this context and for their relevance today: Ernst Toller’s Die Wandlung: Das Ringen eines Menschen (1918) and Der deutsche Hin...
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| Language: | en |
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2014
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| Online Access: | http://hdl.handle.net/10012/8417 |