Phenomenal Anglo-Saxons: Perception, Adaptation, and the Poetic Imagination
This dissertation articulates a theory of adaptation for the Anglo-Saxon literature in which metaphors of embodiment mediate the reception of poetic works: when we read, our bodies get in the way. Central to my work is the understanding that the embodied situatedness of poets adapting materials from...
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| Language: | en_ca |
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2013
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| Online Access: | http://hdl.handle.net/1807/43488 |