The Güegüencista Experience: Masquerade, Embodiment, and Decolonization in Early Twenty-First Century Nicaragua
This thesis is about exploring and theorizing about the contemporary meanings and (re)production of El Güegüense, a politically charged ancient Nicaraguan dance-drama. The ethnographic affair revolves around the researcher’s experiences learning the Güegüense tradition at the Nicaraguan Academy of...
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| Language: | en en |
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2011
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| Online Access: | http://hdl.handle.net/1974/6739 |