In the absence of the woman : the spectator's presence in Hitchcock's Rear Window, Polanski's The Tenant, and Lynch's Blue Velvet
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Published: |
2013
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Online Access: | http://hdl.handle.net/1993/17223 |
Main Author: | |
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Published: |
2013
|
Online Access: | http://hdl.handle.net/1993/17223 |