The role of drama in the study of literature

This qualitative research study examines the differing ways that students and teacher in a Jewish secondary school negotiate, reconstruct, and find personal relevancy in their learning about literature through drama. The sequence of lessons used by the author consists of nine steps designed to in...

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Main Author: Morrison, Evlyn Ruth
Language:English
Published: 2009
Online Access:http://hdl.handle.net/2429/4407
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spelling ndltd-LACETR-oai-collectionscanada.gc.ca-BVAU.2429-44072014-03-14T15:39:25Z The role of drama in the study of literature Morrison, Evlyn Ruth This qualitative research study examines the differing ways that students and teacher in a Jewish secondary school negotiate, reconstruct, and find personal relevancy in their learning about literature through drama. The sequence of lessons used by the author consists of nine steps designed to integrate dramatic experiences with language and literature activities for the purpose of depicting thematic ideas, isolating sub-text, and illustrating various aspects of a Shakespearean text. As percipient, which means to be observer and participant, the author participated in the drama activities and also observed how she and the students were reacting to the dramatic activities. The dramatic sequence was implemented in an English eight class over a period of six weeks from May to June of the school year in 1992. Student subjects and selection of grade was based on drama material that had been previously prepared to meet the content recommendations suggested by the B.C. Ministry of Education. A variety of data collection techniques were employed to identify the literacy behaviours and written responses extending from the drama. These techniques included five sources of data. They were (1) students' homework assignments, (2) exam question responses, (3) video tapes of all classes, (4) audio tapes of the classes, and (5) taped interviews with three students. Written responses to the drama activities included both personal reflections and critical thinking compositions. The author finally reflects on the potential for learning about literature through drama to develop specific cognitive processes that result in a restructured knowledge base. She then presents her own personal and pedagogical observations which account for the discrepancies that occur between students' oral responses and their written responses, and concludes that written expression was a crucial step in the students' process of meaning making. 2009-02-10T22:01:16Z 2009-02-10T22:01:16Z 1996 2009-02-10T22:01:16Z 1996-05 Electronic Thesis or Dissertation http://hdl.handle.net/2429/4407 eng UBC Retrospective Theses Digitization Project [http://www.library.ubc.ca/archives/retro_theses/]
collection NDLTD
language English
sources NDLTD
description This qualitative research study examines the differing ways that students and teacher in a Jewish secondary school negotiate, reconstruct, and find personal relevancy in their learning about literature through drama. The sequence of lessons used by the author consists of nine steps designed to integrate dramatic experiences with language and literature activities for the purpose of depicting thematic ideas, isolating sub-text, and illustrating various aspects of a Shakespearean text. As percipient, which means to be observer and participant, the author participated in the drama activities and also observed how she and the students were reacting to the dramatic activities. The dramatic sequence was implemented in an English eight class over a period of six weeks from May to June of the school year in 1992. Student subjects and selection of grade was based on drama material that had been previously prepared to meet the content recommendations suggested by the B.C. Ministry of Education. A variety of data collection techniques were employed to identify the literacy behaviours and written responses extending from the drama. These techniques included five sources of data. They were (1) students' homework assignments, (2) exam question responses, (3) video tapes of all classes, (4) audio tapes of the classes, and (5) taped interviews with three students. Written responses to the drama activities included both personal reflections and critical thinking compositions. The author finally reflects on the potential for learning about literature through drama to develop specific cognitive processes that result in a restructured knowledge base. She then presents her own personal and pedagogical observations which account for the discrepancies that occur between students' oral responses and their written responses, and concludes that written expression was a crucial step in the students' process of meaning making.
author Morrison, Evlyn Ruth
spellingShingle Morrison, Evlyn Ruth
The role of drama in the study of literature
author_facet Morrison, Evlyn Ruth
author_sort Morrison, Evlyn Ruth
title The role of drama in the study of literature
title_short The role of drama in the study of literature
title_full The role of drama in the study of literature
title_fullStr The role of drama in the study of literature
title_full_unstemmed The role of drama in the study of literature
title_sort role of drama in the study of literature
publishDate 2009
url http://hdl.handle.net/2429/4407
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