Seat of power, site of satire : James Gillray’s representation of King George III in Monstrous craws at a new coalition feast (1787)
Two features that were viewed by Britons as distinguishing their nation from other Western countries in late-eighteenth century were its Constitutional Monarchy and the comparative freedoms enjoyed by the press. Graphic political satire lies at the juncture of these two features. This thesis exam...
Main Author: | |
---|---|
Language: | English |
Published: |
2008
|
Online Access: | http://hdl.handle.net/2429/3126 |