Reclaiming the gaze : examining contemporary Nuxalk perspectives on Harlan I. Smith's fieldwork photographs, 1920-1924
Archival photographs of native peoples are tricky objects. They complicate the current rhetoric of repatriation and collaboration that tends to dominate present reassertions of control by First Nations communities over objects held (or once held) by non-native institutions. Framing the reclamation o...
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| Language: | English |
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University of British Columbia
2009
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| Online Access: | http://hdl.handle.net/2429/12577 |