Rosso's Fury : engraving, antique sculpture, and the topos of death
This thesis examines an engraving commonly known as the Fury (1524) that was designed by the Florentine painter Rosso Fiorentino and engraved by Gian Jacopo Caraglio in Rome. The Fury exhibits an indeterminacy of both form and content that was rarely seen in contemporary images at a time that contin...
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Language: | English |
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University of British Columbia
2011
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Online Access: | http://hdl.handle.net/2429/38166 |