The good, the bad, the thirsty : de-mystification in the postmodern vampire film
The predominance of romance, exoticism and mystical powers of the supernatural embodied onscreen by the character of the vampire has created both allure and apathy in viewers. While vampires have been portrayed in a large number of films since the early days of cinema, there has recently been a cons...
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| Language: | English |
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University of British Columbia
2011
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| Online Access: | http://hdl.handle.net/2429/33562 |