\"O estilo que ninguém segura - Mano é mano! Boy é boy! Boy é mano? Mano é mano?\"
The globalization process has been providing new arrangements to identity issues on its role as a model to interpret the relations between the global and the local in current times. From this prospect, this projects purpose approaches the construction of the rap made in Brazil as an artistic pr...
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| Language: | Portuguese |
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Universidade de São Paulo
2002
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| Online Access: | http://www.teses.usp.br/teses/disponiveis/27/27134/tde-10102006-170247/ |