“Beloved Be the Ones Who Sit Down”: Aesthetics and Political Affect in Roy Andersson’s “Living” Trilogy
Roy Andersson’s unique surrealist style and the affect it gives rise to, situated somewhere between deep existential dread and the most absurdist humor, are intimately connected to his staging of action in stacked layers of meaning in deep focus, immobile long takes. A formal reading of his films th...
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| Format: | Others |
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ScholarWorks @ Georgia State University
2016
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| Online Access: | http://scholarworks.gsu.edu/communication_theses/114 http://scholarworks.gsu.edu/cgi/viewcontent.cgi?article=1118&context=communication_theses |