The interchangeable concerto : historical precedence and composition of the work
The interchangeability of instrumental soloists in a given concerto solo is essentially a Baroque practice. The majority of concerto transcriptions lie in the Baroque Period and the Twentieth Century. Much of the attitude toward transcription comes from economic considerations as well as the desire...
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| Format: | Others |
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2011
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| Online Access: | http://cardinalscholar.bsu.edu/handle/handle/183065 http://liblink.bsu.edu/uhtbin/catkey/447776 |