Shifting Frames of Reference, or What Maurizio Nichetti's Ladri di saponette [The Icicle Thief] Can Tell us about Watching Films on Television
No === Maurizio Nichetti¿s comedy, Ladri di saponette/The Icicle Thief (1989) has been read as a mordant satire on commercial television and the world of consumerism it represents in late-1980s Italy. The context in which Nichetti¿s cinema was originally created and consumed is examined here in some...
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| Language: | en |
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2009
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| Online Access: | http://hdl.handle.net/10454/4123 |