The Angel in the Theatre: Ellen Terry and Olga Nethersole as Liminal Victorian Performers
The late nineteenth century British stage was hopelessly confused. It couldn’t decide whether it was London’s principle source of entertainment—mainstream and respectable enoughfor Queen Victoria herself to patronize—or the seedbed of all corruption and deviance in Victorian society. At the center o...
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| Format: | Others |
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BYU ScholarsArchive
2015
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| Online Access: | https://scholarsarchive.byu.edu/etd/5660 https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6659&context=etd |