What a Dream Was Here: An Ontological Approach to Love and Magic in Shakespeare’s A Midsummer Night’s Dream
This paper takes Heidegger’s notion of world disclosure and uses it for extended thematic analyses of A Midsummer Night’s Dream. In contrast to the majority of Shakespeare critics who treat Shakespeare’s use of magic as an epistemological issue, I argue that the main action of the play develops thro...
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Format: | Others |
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BYU ScholarsArchive
2015
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Online Access: | https://scholarsarchive.byu.edu/etd/5637 https://scholarsarchive.byu.edu/cgi/viewcontent.cgi?article=6636&context=etd |