Narrativity, Purpose, and Visible Adaptation in Shari Springer Berman and Robert Pulcini’s American Splendor (2003)
Beginning with Christian Metz’s observation that even supposedly non-narrative films ... are governed essentially by the same semiological mechanisms that govern the “feature films”, this article examines one specific case of this trend in Shari Springer Berman and Robert Pulcini’s 2003 film adaptat...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2013-06-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/3537 |