Middlebrow modernism in film(theory): Visconti’s Senso (1954) vis-à-vis Diamant-Berger’s La madone des sleepings (1955)
By reflecting upon the travelling concept of the (film) ‘auteur’, the first part of the article argues that Modernism manifests itself differently in cinema studies than in literary studies. Whereas the literary canon is constituted by excluding anything connoting conventional reading matter, a ‘pan...
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| Format: | Article |
| Language: | English |
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Radboud University Press in cooperation with Open Journals
2015-06-01
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| Series: | Relief: Revue Électronique de Littérature Francaise |
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| Online Access: | http://www.revue-relief.org/articles/10.18352/relief.909/ |